leduerome-01
Le Due Rome, 2020, Production Still: In the framework of the Art in Public Space Project: Villa Massimo Si Avvicina", Villa Massimo, Rome.
history-2-comp-03
A Possible History II/ Turkish Heroes, Chinese Knick Knacks, 2015, Video still
leduerome-comp-02
Le Due Rome, 2020, Exhibition View: In the framework of the Art in Public Space Project: Villa Massimo Si Avvicina", Villa Massimo, Rome. Photo: Alberto Novelli
today-disneyland-comp-02
Today there is no demonstration in Disyneyland, 2004, Installation View: Casino Luxembourg-Forum d’art Contemporain, Luxembourg, 2004
growing-comp-03
Perfect / Growing Older (Dis)Gracefully, 2006, Video Still
turkish-05
I am turkish, I am Honest, I am Diligent - Münster 1998, Production Still: Realschule Velen, Münster
testimony-comp-01
Testimony 2003, Production still: Real Utopia, Art in Art in Public Space, Karlau Prison, Graz, 2003
diario-comp-1-02
Diario, 2021, Exhibition view: Villa Massimo at Neuhardenberg Castle, Presentation of the 2019/2020 German Academy Rome residency winners, Neuhardenberg, 2021
dive-01
Dive, 2004, Photo serie, Fine art print on Hahnemühle paper
gwangju-comp-001
I am turkish, I am Honest, I am Diligent, 2002
rehab-saopaulo-comp-05
Rehabilitation, 2006, Production Still: In the framework of the exhibition, "How to Live Together", 27th Sao Paulo Biennale, Brazil
history-1-comp-01_installation-view
„A Possible History I“ (2013). Installation view „Esra Ersen: What We Know“ at Alma Mater Gallery, Sofia, 2019. © Swimming Pool. Photo: Yana Lozeva
parachutist-comp-08
Parachutist in Third Floor, Birds in Laundry, 2005, Video still
01_ipinimarittimi_pinie-comp
Le Due Rome, 2020, Travertine tablet Al-Khidr, In the framework of the Art in Public Space Project: Villa Massimo Si Avvicina", Villa Massimo, Rome. Photo: Alberto Novelli
history-1-comp-03
Ottoman archival collections, Installation view „Esra Ersen: What We Know“, Cyril and Methodius National Library, Sofia, 2019, © Swimming Pool. Photo: Yana Lozeva
diario-comp-2-05
Diario, 2021
diligent-linz-comp-01-02
I am turkish, I am Honest, I am Diligent (2005), Installation View: Tactics of Invisibility, Thyssen-Bornemisza Art Contemporary, Wien, 2010
history-2-comp-04
A Possible History II/ Turkish Heroes, Chinese Knick Knacks, 2015, Video still
passengers-comp-01-01
Passengers, 2009, Production Still
gwangju-comp-03
I am turkish, I am Honest, I am Diligent, 2002, Production Still: 4th Gwangju Biennial, Korea
history-2-comp-01
A Possible History II/ Turkish Heroes, Chinese Knick Knacks, 2015, Video still
01_esr_2408_ws_2023_10_kvspreis_esraersen_028
Exhibition View, LWL-Museum für Kunst und Kultur, Münster, 2023
turkish-home
I am turkish, I am Honest, I am Diligent - Münster 1998, Production Still: Realschule Velen, Münster
diligent-linz-comp-01-01
I am turkish, I am Honest, I am Diligent, Installation View: Esra Ersen: O.K Center for Contemporary Art Linz, 2005
esr_2408_ws_2023_10_kvspreis_esraersen_055
Exhibition View, LWL-Museum für Kunst und Kultur, Münster, 2023
passengers-comp-12
Passengers, 2009, Video Still
this-disneyland-07
This is the Disneyland, 2000, Video Still
hello-01
Hello! Where is it? (2000), Installation view: O.K. Center For Contemporary Art, Linz, 2005. Photo: Otto Saxinger
sammelsurium-artinpublic-comp-02
Sammelsurium, 2010, Installation view: Academy of Another City, Art in Public Space, Hamburg
leduerome-02
Le Due Rome, 2020, Production Still: In the framework of the Art in Public Space Project: Villa Massimo Si Avvicina", Villa Massimo, Rome. Photo: Alberto Novelli
turkish-04
I am turkish, I am Honest, I am Diligent - Münster 1998, Production Still: Realschule Velen, Münster
diario-comp-1-01
Diario, 2021, Exhibition view: Villa Massimo at Neuhardenberg Castle, Presentation of the 2019/2020 German Academy Rome residency winners, Neuhardenberg, 2021
penalty-comp-2-07
In the Penalty Area, 2001, Video still
encounter-02
Encounter, 1995, Installation view: 4th International İstanbul Biennial, Antrepo, Istanbul, 1995
disneyland-comp-001
There is no Demonstration in Disneyland, 2005, Art in public space, Developed within the frame of the project “Under the bridges along the river II”, Casino Luxembourg-Forum d’art Contemporain, Luxembourg
advice-02
Advice to the Crown Prince, 1995, Installation view: How did we get here, Salt Beyoglu, İstanbul, 2015
history-1-comp-video-002
A Possible History / When Thinking Some Play with the Mustache, Others Cross Arms 2013, Video Still
01_esr_2408_ws_2023_08_eroffnung_kvspreis_esraersen_093
A Possible History III, 23/23 Blaupause Video Installation, LWL-Museum für Kunst und Kultur, Münster, 2023
esr_2408_ws_01_gey_001_01_orgu_sketch
A Possible History III, Blaupause, LWL-Museum für Kunst und Kultur, Münster, 2023
history-1-comp-04
Ottoman archival collections, Installation view „Esra Ersen: What We Know“, Cyril and Methodius National Library, Sofia, 2019, © Swimming Pool. Photo: Yana Lozeva
passengers-comp-01-05
Passengers, 2009, Production Still
penalty-comp-2-15
In the Penalty Area, 2001, Video still
sammelsurium-comp-02
Sammelsurium, 2010, Photo Series
sammelsurium-artinpublic-comp-03
Sammelsurium, 2010, Installation view: Academy of Another City, Art in Public Space, Hamburg
sammelsurium-artinpublic-comp-06
Sammelsurium, 2010, Installation view: Academy of Another City, Art in Public Space, Hamburg
history-2-comp-19
A Possible History II / Turkish Heroes, Chinese Knick Knacks, 2015, Video still
history-1-comp-06
Ottoman archival collections, Esra Ersen: What We Know“, Cyril and Methodius National Library, Sofia, 2019, © Swimming Pool. Photo: Yana Lozeva
karussel-09
Karussel (1998), Installation view: Tanzimat, Augarten, Wien, 2010
brotherssisters-comp-01
Brothers and Sisters, 2003, Video Still
karussel-14
Karussel (1998), Installation view: Studio Bosporus, 10 Jahre Kulturakademie Tarabya, Kunstraum Kreuzberg, 2021
history-2-comp-09
A Possible History II/ Turkish Heroes, Chinese Knick Knacks, 2015, Video still
which-one-comp-1-09
Which one you choose? 2003, Video Still
leduerome-06
Le Due Rome, 2020, Exhibition View: In the framework of the Art in Public Space Project: Villa Massimo Si Avvicina", Villa Massimo, Rome. Photo: Alberto Novelli
swedish-comp-01
Installation View: Jerusalems Kebap House, Stockholm, 2001
rehab-utrecht-comp-001
Rehabilitation 2005, Production Still, Leidsche Rijn, Utrecht
canary-comp-01
Casting for a Canary Opera, 2011, Video Still
diario-comp-2-02
Diario, 2021
somepeople-01
Some People, 1997, Installation View: Macka Art Gallery, Istanbul
sammelsurium-artinpublic-comp-04
Sammelsurium, 2010, Installation view: Academy of Another City, Art in Public Space, Hamburg
karussel-08
Karussel (1998), Installation view: Tanzimat, Augarten, Wien, 2010
esr_2408_ws_dsc03842
Exhibition View, LWL-Museum für Kunst und Kultur, Münster, 2023
abc_esr_2408_ws_img_2473-kopie
A Possible History III, 23/23 Video Installation, LWL-Museum für Kunst und Kultur, Münster, 2023
penalty-comp-1-01
In the Penalty Area, 2001, Installation View: Under the Sign of the City, Kunstmuseum Bonn, Bonn, Germany, 2001
growing-comp-09
Perfect / Growing Older (Dis)Gracefully, 2006, Video Still
construction-comp-01
Under Construction, 2004, Performans Still : Within the Framework of the Exhibition "Re:Location", Casino Luxembourg-Forum d’art Contemporain, Luxembourg. Photo: Raoul Somers
history-1-comp-video-01
A Possible History / When Thinking Some Play with the Mustache, Others Cross Arms. 2013, Video Still
esr_2408_ws_16_hal3an_012_sl_12_nutuk_a
A Possible History III, 23/23 Blaupause, Videostill
history-2-comp-05
A Possible History II/ Turkish Heroes, Chinese Knick Knacks, 2015, Video still
canary-comp-09
Casting for a Canary Opera, 2011, Video Still
zahiri-comp-01
Zahiri and Batini, 2019
growing-comp-01erste-bild_videostill
Perfect / Growing Older (Dis)Gracefully, 2006, Video Still
gwangju-comp-07
I am turkish, I am Honest, I am Diligent, 2002, Production Still: 4th Gwangju Biennial, Korea
turkish-01
I am turkish, I am Honest, I am Diligent - Münster 1998, Production Still: Realschule Velen, Münster
leduerome-03
Le Due Rome, 2020, Exhibition View: In the framework of the Art in Public Space Project: Villa Massimo Si Avvicina", Villa Massimo, Rome. Photo: Alberto Novelli
leduerome-07
Le Due Rome, 2020, Exhibition View: In the framework of the Art in Public Space Project: Villa Massimo Si Avvicina", Villa Massimo, Rome. Photo: Alberto Novelli
sammelsurium-comp-05
Sammelsurium, 2010, Photo Series
sammelsurium-comp-01
Sammelsurium (2010), Exhibition View: Identity Not Proven, New Acquisitions for the Federal Art Collection, Bundeskunsthalle, Bonn, 2022
esr_2408_ws_dsc03712
Exhibition View, LWL-Museum für Kunst und Kultur, Münster, 2023
rehab-saopaulo-comp-01
Rehabilitation, 2006, Production Still: In the framework of the exhibition, "How to Live Together", 27th Sao Paulo Biennale, Brazil
canary-comp-03
Casting for a Canary Opera, 2011, Video Still
10_potevo-assare_kurzwaren-comp
Le Due Rome, 2020, Travertine tablet Haberdashery, In the framework of the Art in Public Space Project: Villa Massimo Si Avvicina", Villa Massimo, Rome. Photo: Alberto Novelli
canary-comp-11
Casting for a Canary Opera, 2011, Video Still
those-without-01
Those without place, 1998, Installation view: Geologisch-Paläontologisches Museum, Münster. Photo: Roman Mensing
leduerome-comp-01
Le Due Rome, 2020, Exhibition View: In the framework of the Art in Public Space Project: Villa Massimo Si Avvicina", Villa Massimo, Rome. Photo: Alberto Novelli
leduerome-05
Le Due Rome, 2020, Exhibition View: In the framework of the Art in Public Space Project: Villa Massimo Si Avvicina", Villa Massimo, Rome. Photo: Alberto Novelli
sammelsurium-comp-06
Sammelsurium, 2010, Photo Series
canary-comp-06
Casting for a Canary Opera, 2011, Video Still
passengers-comp-01-04
Passengers, 2009, Production Still
passengers-comp-00_produktion-still
Passengers, 2009, Production Still
this-disneyland-03
This is the Disneyland (2000) , installation view: Personal Protocols and Other Preferences, CCS Bard Galleries, NY, 2008
leduerome-04
Le Due Rome, 2020, Exhibition View: In the framework of the Art in Public Space Project: Villa Massimo Si Avvicina", Villa Massimo, Rome. Photo: Alberto Novelli